Critical Analysis of Audrey Flack’s World War II (Vanitas): Evaluation of Painting from an Art History Perspective
Audrey Flack’s “World War II (Vanitas)” stands as a paradigm of Photo-Realism, a movement that emerged in the late 1960s, parallel to the Minimalist and Conceptual art waves that were dominating the American art scene. Unlike her Minimalist and Conceptualist contemporaries, Flack aimed to redefine painting through a return to